Three engraving methods, three different files
Engraving does not lay ink inside a shape, it removes material along a route. That single difference is why the file your printer happily accepted comes back from your engraver as unusable — and why one customer logo often has to become three different outputs.
What each method wants
One conversion, three routes
The common step is getting from what the customer sent to clean paths. Once you have those, all three methods are open to you: fill it for laser raster, score the outline, or generate a centreline for rotary. Starting from a JPG you have exactly one option and no choice about it.
What stays yours: deciding which method suits the substrate, and simplifying the artwork so it survives at the size of an award plate. No conversion tool makes those calls, and any that claims to should worry you.
Convert a customer logo freeExports SVG, DXF, EPS and PDF — the formats engraving software reads.
What engravers ask
Because engraving removes material along a path rather than laying ink inside a shape. A print file describes areas to fill; an engraving file describes routes for a tool or a beam to travel. They can come from the same source artwork, but they are not the same output.
A normal font outline is two lines around each stroke — an engraver cutting that produces an outlined letter, not a solid one. Single-line geometry is one path down the middle of each stroke, which is what a rotary cutter or diamond drag follows to produce a stroke the width of the tool.
For raster fill on the right substrate, yes — that is one of the few places a bitmap is genuinely the correct input. For cutting or scoring, no: there are no paths in a photo for the beam to trace.
Convert it to paths, then decide the method. Once you have clean vector you can fill it for laser, generate a centreline for rotary, or score the outline — one conversion serves all three routes. Starting from the JPG you are stuck with fill only, at whatever quality the pixels allow.
Less than the artwork suggests. Fine text and tight counters close up on most substrates, and hairlines vanish on textured surfaces. Simplify before you engrave rather than discovering it on the finished piece — this is a judgement call, and it is yours, not the software's.
If engraving and awards work is your business, you are probably paying per file.
An outside art service charges 6 to 26 dollars a logo and comes back the next day. Redrawing it yourself costs half an hour you could bill. A year here is $49 for 25 conversions every month, every machine format included, which works out cheaper than two outsourced logos.
Everything on this page stays free. This is only worth it if you do volume.