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For print shops, sign makers and large format printers

Send the file you cannot print from. Get it back ready for production.

A logo grabbed from a website, a phone photo, an image far too small for the wall it has to cover: send it to us and get back files ready for your RIP, your cutter, your laser or your embroidery machine. A standard file usually comes back in 2 to 3 hours. From North America, send it at the end of your day and it is ready when you open.

2 to 3 hours
typical turnaround for a standard file
Nothing invented
no detail painted in by generative AI
Private delivery
files on our servers, behind a private link

What we prepare

One supplier for every file that comes in broken, too small or in the wrong format.

Large format enlargement and reconstruction

Murals, banners, wall and vehicle wraps, trade show graphics. We take a small file to the resolution your printer needs at final size.

  • Sharp edges rebuilt sharp, texture and grain kept as in the original
  • No detail invented by an AI model: every pixel is computed from your file
  • Fidelity measured zone by zone against the source before delivery

Clean vectorization

Logos and artwork rebuilt from low resolution files, screenshots or scans.

  • SVG, PDF, EPS and AI
  • Colors reduced to the real production palette, stray slivers removed
  • Lettering checked letter by letter against the source

Machine files

Files your machine reads without a cleanup pass.

  • DXF and G-code for laser and CNC routers
  • DST, PES and JEF for embroidery
  • Cut paths for vinyl plotters, one layer per color or operation

Print preparation

The prepress your RIP expects, done before the file reaches you.

  • CMYK in your profile: GRACoL 2013, FOGRA39, FOGRA51 or your own ICC
  • PDF/X-4, bleed, safety margins, crop marks
  • Tiling into panels with overlap, layered PSB for very large files
  • Low resolution proofs and a delivery note with every job

API and MCP for volume

Hundreds of files a month, or a web-to-print platform? The same engine runs through a REST API and an MCP server, so files can be processed from your own workflow.

  • Same formats as the service
  • Volume pricing on request

How it works

  1. 1. Send the file

    Upload it with the form below, or email it to contact@vectosolve.com. Tell us the final size, what it is for and when you need it.

  2. 2. Get a fixed quote, then we prepare

    You get a price per file and a delivery time before any work starts. Once you approve, a file specialist prepares it and checks it at 100 % against your source.

  3. 3. Download from a private link

    The files wait on our servers behind a private link, with a proof and a short delivery note: size, resolution, color profile and what we changed.

Turnaround

  • Standard file (logo, photo, single panel): usually 2 to 3 hours.
  • Large format masters and multi panel jobs: the delivery time is written in the quote.
  • We work from Europe. A file sent at the end of your day in North America is handled during our morning and is ready before you open.

Formats we deliver

Print
  • PDF/X-4 and PDF
  • TIFF (CMYK or RGB, LZW, ICC embedded)
  • Layered PSD and PSB
  • JPEG proofs
Vector
  • SVG
  • AI
  • EPS
  • PDF
Machines
  • DXF (R12, 2000 and later)
  • G-code
  • DST, PES, JEF
  • SVG and EPS with cut layers

Need something else, a specific DXF version, a panel width or a naming convention for your RIP? Write it in the request.

Quality control

Nothing leaves without being opened and checked by a person.

  • Every file is opened at 100 % next to your source before delivery.
  • Large format: the master is shrunk back to the source size and compared zone by zone, so we know nothing was lost and nothing was added.
  • Vector: colors reduced to your production palette, slivers and specks removed, text compared letter by letter.
  • Machine files: closed paths, units and final size checked, one layer per color or operation.
  • If part of the source cannot be recovered, lettering destroyed by compression for example, we tell you before quoting instead of guessing.

Your customers’ files stay yours

You send us your customers’ artwork. We treat it that way.

  • Uploads go to private storage on our servers, never to a public folder.
  • Deliveries are private, time-limited links.
  • We never show your files in our examples, our marketing or to anyone else. The examples on this page were made by us.
  • We do not train AI models on your files.
  • Nothing we send back carries our name: no watermark, no metadata, and we never contact your customer.
  • Ask and we delete your sources and deliveries from our servers.

Before and after

These are demonstrations made by us, on a public domain artwork and on a badge we drew for a fictional shop. They are not client jobs. Every number below comes from the files themselves.

A 3 m wall mural from a 1,920 pixel image

Source: Katsushika Hokusai, The Great Wave off Kanagawa, public domain, via Wikimedia Commons.
Source: Katsushika Hokusai, The Great Wave off Kanagawa, public domain, via Wikimedia Commons.
Source
JPEG, 1,920 x 1,324 px, 955 KB, sRGB.
Problem
At 3.00 m wide the file holds 16 pixels per inch. Printed as it is, every source pixel becomes a 1.6 mm square on the wall. A standard enlargement hides the squares but turns the line work soft.
What we did
  • Enlarged to 11,811 x 8,145 px, 100 ppi at the final size of 3.00 x 2.07 m (x6.15).
  • Edges that are sharp in the original rebuilt sharp at the final size.
  • Paper texture and printing grain kept as they are in the source. No generative AI, nothing painted in.
Measured
Shrunk back to the source size, the master keeps 96 to 100 % of the fine detail of the original (correlation 0.989 to 1.000, average difference under 2 levels out of 255, 11 zones measured). A standard bicubic enlargement keeps 77 to 83 %.
What you receive
  • CMYK TIFF master in your press profile, LZW, ICC embedded
  • PDF/X-4 per panel, with bleed
  • Panel plan, low resolution proof and delivery note

Zoom 100 %

Each square is 360 x 360 pixels of the final file at 100 %, a 9 x 9 cm patch of the wall.

1Foam of the wave: thin dark lines and flat blue shapes.

Your file at print size: Foam of the wave: thin dark lines and flat blue shapes.
Your file at print size
Standard enlargement (bicubic): Foam of the wave: thin dark lines and flat blue shapes.
Standard enlargement (bicubic)
Our master: Foam of the wave: thin dark lines and flat blue shapes.
Our master

2Title cartouche: hand cut lettering, 6 mm strokes on the wall.

Your file at print size: Title cartouche: hand cut lettering, 6 mm strokes on the wall.
Your file at print size
Standard enlargement (bicubic): Title cartouche: hand cut lettering, 6 mm strokes on the wall.
Standard enlargement (bicubic)
Our master: Title cartouche: hand cut lettering, 6 mm strokes on the wall.
Our master

3Spray over the dark sky: round dots on the printing grain.

Your file at print size: Spray over the dark sky: round dots on the printing grain.
Your file at print size
Standard enlargement (bicubic): Spray over the dark sky: round dots on the printing grain.
Standard enlargement (bicubic)
Our master: Spray over the dark sky: round dots on the printing grain.
Our master

Panel plan for this demonstration

3 panels of 1.00 m, 2 cm overlap at each join, 5 cm bleed all around. On a real job the panel width, overlap and bleed follow your media and your installer.

2 cm overlap5 cm bleed3.00 x 2.07 m

A logo for print and laser from a 160 pixel JPEG

JPEG, 160 x 160 px, 4.7 KB, saved from a website.
Source
Our vector
Our vector
Source
JPEG, 160 x 160 px, 4.7 KB, saved from a website.
Problem
Printed 10 cm wide, the file gives 41 ppi. Edges are jagged, the small lettering is mush, and the colors are JPEG noise. A laser or a cutter cannot use it at all.
What we did
  • Source rebuilt and traced with our vector engine.
  • Colors reduced from 13 to the 4 production colors: 28 anti-aliasing slivers merged.
  • Lettering checked against the source.
  • Cut file built from the vector: 70 closed contours, one layer per color, cut line on its own layer, 100 mm wide, units in millimeters, 0.02 mm tolerance, islands under 0.05 mm² removed.
What you receive
  • SVG, 4 colors, 62 paths
  • Vector PDF, no embedded image
  • DXF (AutoCAD 2000), millimeters, 5 layers
  • EPS and AI on request

Zoom 100 %

Printed 10 cm wide at 300 ppi. Each square is 480 x 480 pixels at 100 %, a 4 x 4 cm patch of the print.

Your file at print size (HARBOR)
Your file at print size
Our vector (HARBOR)
Our vector
Your file at print size
Your file at print size
Our vector
Our vector

The DXF, as your laser software shows it

Navy, white, cream and orange each sit on their own layer; the red line is the cut layer.

The DXF, as your laser software shows it
DXF, 100 mm
Same 4 x 4 cm patch, DXF contours at 100 %
Same 4 x 4 cm patch, DXF contours at 100 %
Download the demo files SVG PDF DXF

Harbor & Main Print Co. is a fictional shop. We drew the badge, then degraded it on purpose to the file above.

Pricing

Quoted per file, at a fair price. A logo cleanup is not a 3 m mural, so every file gets its own fixed price before any work starts. Nothing is charged until you approve the quote.

Monthly volume plan

A regular flow of files? We set a monthly plan sized to your shop: volume, turnaround and formats. Ask for it in the form.

Ask for a quote

A team of graphic designers specialized in file preparation

Every day the team prepares files for print, signage and machines: enlargements for large format, vector rebuilds, cut and engraving files, embroidery files and prepress checks. Every file is opened at 100 % and compared with your source before it leaves.

Robin Monteiro, founder and developer of VectoSolve
Robin Monteiro
Founder and developer

Robin builds the tools the team works with: the large format enlargement method, the vector engine and the machine file exports. Every quote request sent from this page reaches Robin and the team directly.

Request a quote

Send the file, the final size and your deadline. You get a fixed price per file and a delivery time, usually within a few hours on European business days.

Files

Up to 5 files, 50 MB each: JPG, PNG, TIFF, PSD, PDF, AI, EPS, SVG, DXF, ZIP. Bigger files: paste a transfer link in the notes.

No payment at this step. Nothing is charged until you approve the quote.